In the past being an artist required some skill and hard work. Not these days. You just have to use some provocative angle or gimmick that gets you attention easily and call what you're doing art. Then, once you've offended, shocked, or titillated an audience you can bang on pompously about how you are challenging their prejudices, getting them to think anew .. that kind of nonsense.
Deliverance at the Adelaide Fringe Festival is an example of this faux art. Basically, three people with nothing better to do walk into Adelaide's Rymill Park starkers then depend upon the kindness of strangers for clothes, gifts, and food. The whole stupid, pointless exercize goes on for ten days.
They haven't written, prepared or rehearsed anything. They've just got that original "concept" (for want of a better word) and the gall to see it through -- not to mention all that free time to "perform" it in. And they're using the oldest trick in the book to get attention initially: public nudity. It's sooo easy.
I'll bet that many of the idiots who find such a silly stunt so searingly brilliant as art would sneer at pole dancing or stripping. And can you imagine these performance modes being included in the Fringe Festival program? Not on your Nelly!
Sure, they are hardly edifying. But they are actually closer to art since they involve the making of costumes (albeit ones that are discarded pretty soon!) and sometimes even a bit of choreography. They certainly require more skill, preparation and work than has gone into Deliverance.
Despite claims of "diversity", the arts scene in Australia and other western countries is depressingly uniform. The dominant culture in literature, film, television, theatre, comedy, music and visual art is politically correct in the extreme. This blog includes examples of this bias as well as thoughts on why it has come to be. Written by Perth writer, blogger and comedian Matt Hayden.
Saturday, March 10, 2012
Tuesday, March 6, 2012
Paul Grabowsky on Q and A at the Adelaide Festival
Q and A on the ABC is worth watching, because the lefties and luvvies on the panel never disappoint. They routinely come out with such po-faced and ridiculous comments that they pretty much make satire redundant.
Take Adelaide Festival Artistic Director Paul Grabowsky. He was inordinately keen to keep invoking the indigenous angle. That's a real favourite of luvvies. They don't give a rat's about the squalor in which so many Aborigines live. They just see them as a means to take the high moral ground, and subtly wag their fingers at people for having politically incorrect attitudes.
For example, responding to a question about Wayne Swan and complaints about "ruthless individualism" Grabowsky saw a good opportunity to toss in that ol' chestnut about Australian history going back tens of thousands of years, not mere centuries:
PAUL GRABOWSKY: Well, I give a rat’s what he thinks, because I think he is making a very important point. I think the fact about the history of Australia as we are experiencing it at the moment - and, of course, it’s difficult to talk about a nation’s history whilst you are living through it - but this is a nation which is very much a work in progress. We can’t pretend that we have the same understanding of long historical cycles that China does, for example, or European nations. We do know, of course, that we’ve had people living here for 80,000 years under quite extraordinary circumstances. When I am talking to people from the other side of the world, sometimes I like to jokingly refer to Australia as the dark side of the moon. It is a part of the world which throws up so many problems in order to be able to survive in it that it requires considerable ingenuity to be able to create a functioning polis in this place. Our traditional peoples figured out a myriad of ingenious ways to survive here for a very, very long time. The people who have been here since 1788 have not been so ingenious in coming to terms with the place. But I think that by degrees we are figuring out ways how to live harmoniously, and hopefully be something of an example to the rest of the world about how one can be clever in a place.
What a gargle! Sure, indigenous people were ingenious for surviving here so long. But does he sincerely believe what he says about European settlement? If it's so bad and wrong then maybe he should eschew some of the goodies it provides -- goodies like classical music and jazz, air travel, comfy homes, as well as all that plentiful fatty food and pricey plonk (which the portly fella clearly enjoys). Think he'd ever do that?
And when did humans ever live in harmony with their environment? They're always pillaging the joint (and a good thing too!). It's highly likely that the Aborigines Grabowsky speaks so glowingly of were responsible for the mass extinction of marsupial megafauna, after all.
And this idea that we (and by "we" he clearly means non-Aborigines, so there's a racially divisive subtext there) "are figuring out ways of living harmoniously" is just rubbish. Do wind farms work in harmony with nature? Nope. They plain don't work for starters. And they're bloody great bird-killing, view-wrecking excrescences to boot!
Contrary to Grabowsky's claims "we" have actually been clever in this place for a long time. The green mumbo jumbo that he and his ilk endorse is just plain dumb, and we should avoid it at all costs.
He then lambasted some in pay TV (presumably Foxtel, owned by the eeevil Rupert Murdoch) for their rather coarse coverage of politics:
PAUL GRABOWSKY: No, of course it’s not. I think sexism and misogyny are a part of our culture. Just before we get off the politics for a moment, there is one particular network on pay television which has a lot of political coverage which they deal with like sporting events. They are largely male commentators, although not totally, and the language they use is the same kind of language you would apply to discussing football matches or various sporting events. I find the total tenor of the way that they talk about what is essentially very serious business. I would have to say largely very well-meaning people doing their very best for what they believe to be the best for the country, reducing it to a gutter level of discussion which demeans the entire democratic project.
That's pretty rich coming from a leftie (but I suppose he is a pretty rich one himself). If you want to see some truly gutter, nasty stuff about politicians then you'll find heaps of it coming from his tribe. You can see it live in comedy and cabaret shows like The Wharf Review and you can see it online in the blogosphere and on Twitter. But Grabowsky doesn't complain about that, presumably because he approves of it. To him, democracy is his side having free reign, the other being muzzled.
He made other po-faced pronouncements, for example when a questioner raised the issue of immigration, asking whether immigrants should "speak Australian" socially. He leapt at this chance to spuriously invoke his superior cultural sensitivity:
PAUL GRABOWSKY: I would have to question the premise that you’ve develop in that question because I don’t believe there is a way of speaking Australian for a start. Unless you want to come up with me to somewhere like Nooka in southeast Arnhem Land and hear some real Australian language.
The hypocrisy is breathtaking, isn't it? He's implying that those of us who speak English (including him) are not truly Australian. Only Aborigines are authentic Australians.
Is Grabowsky himself fluent in the language spoken in Nooka? I doubt it. But if he is then why isn't he speaking it all the time, and exhorting us all to do likewise? And why does he compose and orchestrate Western music, and direct a festival that is chockas with Western art styles and genres (albeit performed with as much fake self-loathing is Grabowsky himself displays)? Why all the posturing?
To pull rank, that's why. And by sneering at the masses in such a politically correct way he pleases the powers that be, thereby consolidating his position of influence and privilege.
With the Left it's always ultimately about power; never about principle. That's depressing in general; even more so when it comes to the arts.
Take Adelaide Festival Artistic Director Paul Grabowsky. He was inordinately keen to keep invoking the indigenous angle. That's a real favourite of luvvies. They don't give a rat's about the squalor in which so many Aborigines live. They just see them as a means to take the high moral ground, and subtly wag their fingers at people for having politically incorrect attitudes.
For example, responding to a question about Wayne Swan and complaints about "ruthless individualism" Grabowsky saw a good opportunity to toss in that ol' chestnut about Australian history going back tens of thousands of years, not mere centuries:
PAUL GRABOWSKY: Well, I give a rat’s what he thinks, because I think he is making a very important point. I think the fact about the history of Australia as we are experiencing it at the moment - and, of course, it’s difficult to talk about a nation’s history whilst you are living through it - but this is a nation which is very much a work in progress. We can’t pretend that we have the same understanding of long historical cycles that China does, for example, or European nations. We do know, of course, that we’ve had people living here for 80,000 years under quite extraordinary circumstances. When I am talking to people from the other side of the world, sometimes I like to jokingly refer to Australia as the dark side of the moon. It is a part of the world which throws up so many problems in order to be able to survive in it that it requires considerable ingenuity to be able to create a functioning polis in this place. Our traditional peoples figured out a myriad of ingenious ways to survive here for a very, very long time. The people who have been here since 1788 have not been so ingenious in coming to terms with the place. But I think that by degrees we are figuring out ways how to live harmoniously, and hopefully be something of an example to the rest of the world about how one can be clever in a place.
What a gargle! Sure, indigenous people were ingenious for surviving here so long. But does he sincerely believe what he says about European settlement? If it's so bad and wrong then maybe he should eschew some of the goodies it provides -- goodies like classical music and jazz, air travel, comfy homes, as well as all that plentiful fatty food and pricey plonk (which the portly fella clearly enjoys). Think he'd ever do that?
And when did humans ever live in harmony with their environment? They're always pillaging the joint (and a good thing too!). It's highly likely that the Aborigines Grabowsky speaks so glowingly of were responsible for the mass extinction of marsupial megafauna, after all.
And this idea that we (and by "we" he clearly means non-Aborigines, so there's a racially divisive subtext there) "are figuring out ways of living harmoniously" is just rubbish. Do wind farms work in harmony with nature? Nope. They plain don't work for starters. And they're bloody great bird-killing, view-wrecking excrescences to boot!
Contrary to Grabowsky's claims "we" have actually been clever in this place for a long time. The green mumbo jumbo that he and his ilk endorse is just plain dumb, and we should avoid it at all costs.
He then lambasted some in pay TV (presumably Foxtel, owned by the eeevil Rupert Murdoch) for their rather coarse coverage of politics:
PAUL GRABOWSKY: No, of course it’s not. I think sexism and misogyny are a part of our culture. Just before we get off the politics for a moment, there is one particular network on pay television which has a lot of political coverage which they deal with like sporting events. They are largely male commentators, although not totally, and the language they use is the same kind of language you would apply to discussing football matches or various sporting events. I find the total tenor of the way that they talk about what is essentially very serious business. I would have to say largely very well-meaning people doing their very best for what they believe to be the best for the country, reducing it to a gutter level of discussion which demeans the entire democratic project.
That's pretty rich coming from a leftie (but I suppose he is a pretty rich one himself). If you want to see some truly gutter, nasty stuff about politicians then you'll find heaps of it coming from his tribe. You can see it live in comedy and cabaret shows like The Wharf Review and you can see it online in the blogosphere and on Twitter. But Grabowsky doesn't complain about that, presumably because he approves of it. To him, democracy is his side having free reign, the other being muzzled.
He made other po-faced pronouncements, for example when a questioner raised the issue of immigration, asking whether immigrants should "speak Australian" socially. He leapt at this chance to spuriously invoke his superior cultural sensitivity:
PAUL GRABOWSKY: I would have to question the premise that you’ve develop in that question because I don’t believe there is a way of speaking Australian for a start. Unless you want to come up with me to somewhere like Nooka in southeast Arnhem Land and hear some real Australian language.
The hypocrisy is breathtaking, isn't it? He's implying that those of us who speak English (including him) are not truly Australian. Only Aborigines are authentic Australians.
Is Grabowsky himself fluent in the language spoken in Nooka? I doubt it. But if he is then why isn't he speaking it all the time, and exhorting us all to do likewise? And why does he compose and orchestrate Western music, and direct a festival that is chockas with Western art styles and genres (albeit performed with as much fake self-loathing is Grabowsky himself displays)? Why all the posturing?
To pull rank, that's why. And by sneering at the masses in such a politically correct way he pleases the powers that be, thereby consolidating his position of influence and privilege.
With the Left it's always ultimately about power; never about principle. That's depressing in general; even more so when it comes to the arts.
Labels:
Aborigines,
arts,
culture,
festivals,
political correctness,
QandA
Monday, March 5, 2012
Buttrose ex Alasdair Macdonald sues ABC over Paper Giants
I didn't watch the ABC mini-series Paper Giants: The Birth of Cleo. But from what I saw of the promotion leading up to its broadcast it seemed to be the usual PC feminist fare: The sassy, smart independent woman taking on the eeevil, bigoted patriarchy and winning with grace and style.
That's why I'm not surprised that the show has provoked a defo suit from the ex-hubby of Ita Buttrose:
Excerpts of the two-part mini-series were played to the court, including a scene in which the character of Mr Macdonald tells his pregnant wife that he is leaving "to be a free spirit".
That's ironic, since from what I could tell the mini-series itself seemed to promote the idea of Ita Buttrose as the ultimate "free spirit". Then there's the strong possibility that Mr Macdonald didn't actually say such things ...
And speaking of freedom of spirit: Will the ABC ever show some of its own and come up with a television show that is not sodden with mind-numbing PC cant -- even just once? I hope it will, but I doubt very much that it is capable such originality of thought. The cultural ideologues still retain complete control, and have basically throttled the creative life out of the joint.
Well, however things turn out, the long-suffering Aussie taxpayer will end up copping it twice over. He's already had to pay for the original production, a dreary ideologically driven project designed to glorify a cultural lightweight who did nothing more than sell squillions of stupid, frivolous magazines. And if the ABC has to fork out to Macdonald to assuage his hurt feeling, well, he'll be paying for that too.
That's why I'm not surprised that the show has provoked a defo suit from the ex-hubby of Ita Buttrose:
Excerpts of the two-part mini-series were played to the court, including a scene in which the character of Mr Macdonald tells his pregnant wife that he is leaving "to be a free spirit".
That's ironic, since from what I could tell the mini-series itself seemed to promote the idea of Ita Buttrose as the ultimate "free spirit". Then there's the strong possibility that Mr Macdonald didn't actually say such things ...
And speaking of freedom of spirit: Will the ABC ever show some of its own and come up with a television show that is not sodden with mind-numbing PC cant -- even just once? I hope it will, but I doubt very much that it is capable such originality of thought. The cultural ideologues still retain complete control, and have basically throttled the creative life out of the joint.
Well, however things turn out, the long-suffering Aussie taxpayer will end up copping it twice over. He's already had to pay for the original production, a dreary ideologically driven project designed to glorify a cultural lightweight who did nothing more than sell squillions of stupid, frivolous magazines. And if the ABC has to fork out to Macdonald to assuage his hurt feeling, well, he'll be paying for that too.
Labels:
ABC,
defamation,
feminism,
political correctness,
television
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